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	<title>Archangel Posts - School of Media Studies</title>
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		<title>Guy Maddin</title>
		<link>https://newschoolmediastudies.org/guest/david-lynch/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=david-lynch</link>
		
		<dc:creator><![CDATA[andersonenvy]]></dc:creator>
		<pubDate>Tue, 09 Oct 2018 19:04:05 +0000</pubDate>
				<category><![CDATA[Archangel]]></category>
		<category><![CDATA[david lynch]]></category>
		<category><![CDATA[filmmaker]]></category>
		<category><![CDATA[Guy Maddin]]></category>
		<category><![CDATA[The Heart of the World]]></category>
		<guid isPermaLink="false">http://newschoolmediastudies.org/?post_type=guest&#038;p=385</guid>

					<description><![CDATA[<p>Guy Maddin is a Canadian filmmaker with numerous shorts and 11 feature films to his credit, including the Emmy Award-winning ballet film Dracula — Pages From A Virgin’s Diary (2002); The Saddest Music in the World (2003); My Winnipeg (2007); and US National Society of Film Critics Best Experimental Film Prize-winners Archangel (1990) and The Heart of … <a href="https://newschoolmediastudies.org/guest/david-lynch/">Read More &#187;</a></p>
<p>The post <a href="https://newschoolmediastudies.org/guest/david-lynch/">Guy Maddin</a> appeared first on <a href="https://newschoolmediastudies.org">School of Media Studies</a>.</p>
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<p><strong>Guy Maddin</strong> is a Canadian filmmaker with numerous shorts and 11 feature films to his credit, including the Emmy Award-winning ballet film <strong><em>Dracula — Pages From A Virgin’s Diary </em></strong>(2002); <strong><em>The Saddest Music in the World </em></strong>(2003);<strong><em> My Winnipeg </em></strong>(2007); and US National Society of Film Critics Best Experimental Film Prize-winners<strong><em> Archangel </em></strong>(1990) and<strong><em> The Heart of the World </em></strong>(2000).</p>
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<div id="footer-wrap">Maddin served as a 2011 Director-in-Residence, led a master class with students, and, screened a selection of shorts from his project <em>Hauntings</em>, an ambitious recreation and re-imagining of 1,024 lost and unrealized films by classic directors. Motivated since childhood by a preternatural affection for the ideas of haunting and remembrance, Maddin immediately connected with the destroyed and dashed works. The idea that these films were gone really tortured me, Maddin said, so I set out to create echoes from a future that was never allowed to happen.</div>
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<p>The post <a href="https://newschoolmediastudies.org/guest/david-lynch/">Guy Maddin</a> appeared first on <a href="https://newschoolmediastudies.org">School of Media Studies</a>.</p>
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